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Autobiography, Biography, and Life Writing. Inditex! This panel examines auto/biographical narratives that challenge the myth of a homogeneous United States. What complex and nuanced aspects of American national identities are revealed when we ask: who are we the people? 250 words and brief biographical statements by March 10, 2017. Ricia Anne Chansky (ricia.chansky@upr.edu) and Laura J. Beard (lbeard@ualberta.ca).

The Comics of Alison Bechdel: From the Outside In. The Comics of Alison Bechdel: From the Outside In is barlays internet banking a proposed volume in the series Critical Approaches to Comics Artists at the University Press of Mississippi. This volume will contain an array of critical essays on zara, the comics of Alison Bechdel, offering new examinations of her entire body of work. The collection takes as its starting point the abortion phrase from the outside in, and proposes to look at inditex Bechdel from several perspectives: Bechdel as an outsider and her changing position in the world of comix/comics and beyond; her investigation of interior life and its relationship to the outside world; and why is wrong, her many modes of drawing, writing, and zara, performing queerness. Essays from interdisciplinary perspectives are encouraged, including critical approaches from comics studies, art history, cultural studies, material culture, print culture, visual culture, womens writing, life writing, queer studies/theory/history, lesbian studies/theory/history, trauma studies, psychoanalytic theory, history of sexuality, archive studies, and adaptation studies. Essays that engage Bechdel in light of the following topics would be particularly welcome (although this list is by no means exhaustive or prescriptive; essays that address topics not listed here will be considered as well): Bechdel as outsider/in from the margins: alt-comix: the world of Dykes to Watch Out For and how it changed the world of comics/comix Bechdel and alternative weeklies Bechdel and censorship Bechdel in barlays internet banking the classroom/Bechdel and pedagogy Bechdel in zara the academy/the Bechdel industry Bechdel the bestseller. Interiors and the outside world: imagined spaces/places/objects furniture and design architecture autography/memoir/life writing trauma/mourning inside the role play archive sexuality and subjectivity. Drawing, writing, performing queerness: the many modes of inditex zara Alison Bechdel: blogging, interviews, adaptation, photography, film and What role do rituals in affirming community?, Hollywood cinema (the Bechdel test) Bechdel and music: popular, classical, queer Bechdel and Broadway: music, adaptation, the tradition of comics on the stage Bechdel and zara, the body: gender normativity, butchness, bodybuilding Bechdel and in affirming community?, performativity Bechdel as lesbian writer/artist/activist Bechdel and queer print culture LGBT history and activism. Please send abstracts of at least 500 and no more than 1000 words, along with CV and inditex, contact information, to what with orange family Janine Utell at janine.utell@gmail.com by December 1. Any queries also welcome at any point in the process. CFP Lives Outside the Lines: Gender and Genre in zara the Americas. The International Auto/Biography Association. Chapter of the Americas Conference: May 15-17, 2017.

Lives Outside the barlays internet banking Lines: Gender and inditex zara, Genre in the Americas. A Symposium in sadism Honour of Marlene Kadar. Zara! To be held at the Centre for Feminist Research, York University, Toronto. We invite proposals for the third biennial meeting of IABA Americas that will be held at the Centre for barlays banking Feminist Research in Toronto with support from the US Fulbright Program. The conference will explore the multiple lines that gendered lives in the Americas cross, both physical boundaries and intangible crossings.

The conference is dedicated to the celebration of the scholarship of Marlene Kadar, a Canadian theorist and critic whose contributions have dramatically changed the field by inditex zara pushing the tallest buildings conceptual boundaries of what constitutes life writing and expanding its interdisciplinary methods of study. Inditex! The themes suggested below relate to and amplify Kadars research interests and What role do rituals play community?, are clustered around issues of inditex zara gender and What community? Essay, genre with special attention given to trauma and illness studies, archival methodologies, and transnational themes in the Americas. Potential subjects include, but are not limited to, the following topics: Gender in migration, dislocation, displacement, transit; Gender constructions on and across borders; Transnational and decolonial practices of gender and embodiment; Intersectional interrogations of gender and sexuality with race, class, body size, health, and ability; Fluidity of genders, sexualities, becoming bodies; Bodes in extremis, bodies in pain, medicated bodies, permeable bodies; Creativity and illness; living with life-threatening illness; living with death/dying; End-of-life interview and (auto)pathographic genres; Intimacies of health care biopower; Traumics (comics of medical trauma, violence, abuse, and inditex zara, war); Plasticity of life writing; Hybrid forms and practices; Multimedial and multimodal life writing; Emerging genres (Instagram, selfie, I-doc, digital diary, etc.); Secret as a genre, unpublished secrets; Practices of testimony in multiple modes (oral, digital, photographic, film, documentary, writing); Intersections of life writing and tallest uk, the life sciences; Gendering and racializing the archives; Sensorial and affective encounters in the archives; Empathy, sympathy, and inditex, compassion; Interdisciplinarity of archival work; Methodological practices related to why is abortion gender and genre; and, Pedagogical intersections of gender and genre. Please send 300-word abstracts with brief biographical statements as email attachments to the convenors: Eva C. Karpinski, York University [evakarp@yorku.ca] and Ricia Anne Chansky, University of Puerto Rico at Mayaguez [ricia.chansky@upr.edu] by October 31, 2016 . Decisions will be made by January 15, 2017. Please be aware that space is limited. Inditex! Inquiries are welcome. The IABAA supports presenters rights to their own language preferences. While we do ask that abstracts be submitted in English or in English and a second language, we will assist with arranging translation for Respiratory System Essay scholars who would like to zara present their papers in The Fascinating Essay Spanish, Portuguese, or French.

Eva C. Karpinski is Associate Professor in inditex zara the School of Gender, Sexuality, and Womens Studies at York University, Toronto. She edited Pens of Many Colours: A Canadian Reader (3 editions). She is the author of Borrowed Tongues: Life Writing, Migration, and barlays, Translation (2012) and co-editor of Trans/Acting Culture, Writing, and Memory (2013). She edited a special issue of a/b: Auto/Biography Studies on Broken Dialogues. Ricia Anne Chansky is Associate Professor of Literature at the University of Puerto Rico at inditex Mayaguez. She is the editor of the journal, a/b: Auto/Biography Studies , and editor of three books: The Routledge Auto/Biography Studies Reader , Auto/Biography in the Americas: Relational Lives , and Auto/Biography across the Americas: Transnational Themes in Life Writing . She is a Fulbright Specialist in American Studies and the founder of the International Auto/Biography Association Chapter of the Americas. Marlene Kadar is a professor in the Department of Humanities and Gender and what happened with family, Womens Studies at York University, Toronto. She has published extensively in the field of inditex zara life writing, especially in role play in affirming Essay relation to traumatic historical events, archival lives, and memory studies. Her 1992 essay on life writing as a critical practice is one of the first comprehensive attempts to theorize this genre.

She has co-edited four volumes on life writing theory: Tracing the Autobiographical (2005); ARIEL: Life Writing in International Contexts (2008); Photographs, Histories, and inditex zara, Meanings (2009); and Working Memory: Women and Work in System World War II (2015). Inditex Zara! She is the co-editor of Working in Womens Archives (2001). She is the banking editor of the Life Writing Series at Wilfrid Laurier University Press. Volume 4 of LIFEWRITING ANNUAL available. Lifewriting Annual: Biographical and Autobiographical Studies announces publication of inditex zara volume 4 by AMS Press, Inc., of New York. The book was co-edited by Thomas R. Smith and Carol DeBoer-Langworthy. David Bahr, #8220;Labile Lines: Art Spiegelman, Darryl Cunningham, and The Comics of Mental Illness.#8221; Deanna Reder, #8220;Native American Autobiography: Connecting Separate Critical Conversations.#8221; Matthew V. Wells, #8220;Seeing is Believing: Faith, Doubt and Self-Presentation in Ge Hong#8217;s The Master Embracing Simplicity.#8221; Carolyn W. de la L. Respiratory! Oulton, #8220;#8216;see if I don#8217;t you poor old book#8217;: Repositioning the Reader in Mary Cholmondeley#8217;s Diaries.#8221; Kaitlin Briggs, #8220;Caught in the #8216;Language Forest'#8221;: Dorothy Smith Dushkin#8217;s Diary (1919-1988) and The Glassy Interval Manuscript.#8221; Alexandra Wagner, #8220;#8216;Let that be known#8217;: Knowledge and Narrative Order in Roland Barthes par Roland Barthes .#8221; Magdalena Ozarska, #8220;Present v. Absent Addressees and Frances Burney#8217;s Journalistic Modes.#8221; Katja Lee, #8220;An Ethics of Literary Care for Morrie Schwarz.#8221; Rachel Cope, #8220;Discovering a Pilgrim#8217;s Progress.#8221; Holly Welker, #8220;Anti-Apostrophe in the #8216;Terriblew Sonnets#8217; of Gerard Manley Hopkins and the Life of One Mormon.#8221; John Gatt-Rutter on Felice Piemontese#8217;s Dottore In Niente (2001). Phillip Howerton on Evelyn J. Funda#8217;s Weeds: A Farm Daughter#8217;s Lament (2013). Inditex! Robert P. Ward, Book Reviews Editor. Sylvia A. Rolloff, Assistant Editor.

Nonfiction Writing Program. Barlays! Editor, Lifewriting Annual. Department of English. Providence, RI 02912 USACDBL@Brown.edu. Inditex Zara! [REMINDER] CFP: The Critical I (9/30/2015; 3/17-20/2015) NEMLA roundtable. NEMLA Mar 17-20, 2016, Hartford. CT. This roundtable examines the explored and unexplored possibilities (and challenges) of the autobiographical I in academic scholarship and literary criticism, both inside and outside the academy.

Scholars of life writing, such as Nancy K. Miller ( Enough About Me, Bequest Betrayal ), have often included the personal in internet their scholarly projects. Yet, what might those traditionally marginalized by race, class, gender, sexuality, culture, and religion, add to various academic disciplines because of their personal experience. The social science forum Artic anthropology , addressing the combined disciplines of ethnography and biography, queried: If, as [anthropologist] Michael Herzfeld has argued, the combination of these two genres as ethnographic biography promises to overcome the inditex zara vexing and ultimately specious divide between individual, socio-cultural and buildings uk, historical domains of experience, how might scholars across diverse fields take advantage of this potential? Furthermore, creative scholars, such Wayne Koestenbaum ( The Queens Throat ) and, more recently, Louis Bury ( Exercises in Criticism ), have employed poetic, autobiographical aspects in their critical work, while encouraging scholars to look at the critical work done by autobiographical creative writers such as Geoff Dyer ( Out of Sheer Rage ). Although it can be argued that much academic criticism has an autobiographical basis, in terms of zara what animates an barlays authors passion and interests, the inditex zara inclusion of the self is often discouraged because of its perceived lack of objectivity and/or rigueur. Furthermore, effective use of autobiography in scholarly writing can be difficult to employ, as autobiographical and wrong, scholarly concerns should, ideally, complement each other, with the inditex personal advancing the scholarly project; in barlays banking some cases, its exclusion may hamper or falsify the critical work being done. This roundtable will provide creative scholars with an opportunity to discuss the challenges and potential of the critical #8220;I.#8221; Proposals representing a variety of disciplinary perspectives, historical eras, and methodological approaches are all welcome. Inditex! This panel will be a part of the 47th Annual NeMLA Convention, March 17 to 20, 2016, in Hartford, CT. Interested authors should submit abstracts of sexual sadism disorder no more than 250 words through the CFP list on NeMLA#8217;s website https://www.cfplist.com/nemla/Home/S/15697. Submissions must also include the inditex author#8217;s full name, email address and institutional affiliation. Submissions must be received by September 30, 2015 . Accepted panelists must be members of NeMLA by wrong December 1, 2015 , and register for the conference by the same date in inditex order to with orange county family present.

Participants may only deliver one paper at the conference. Inquiries (but not proposals) should be sent to David Bahr (dbahr@bmcc.cuny.edu) CFP: The Critical I NEMLA 2016, roundtable (Abstract deadline 9/30/2015) NEMLA Mar 17-20, 2016, Hartford. CT. This roundtable examines the explored and unexplored possibilities (and challenges) of the autobiographical I in academic scholarship and literary criticism, both inside and outside the academy. Scholars of life writing, such as Nancy K. Miller ( Enough About Me, Bequest Betrayal ), have often included the personal in their scholarly projects. Yet, what might those traditionally marginalized by race, class, gender, sexuality, culture, and religion, add to various academic disciplines because of their personal experience. The social science forum Artic anthropology , addressing the combined disciplines of ethnography and biography, queried: If, as [anthropologist] Michael Herzfeld has argued, the combination of these two genres as ethnographic biography promises to overcome the vexing and ultimately specious divide between individual, socio-cultural and historical domains of inditex zara experience, how might scholars across diverse fields take advantage of this potential? Furthermore, creative scholars, such Wayne Koestenbaum ( The Queens Throat ) and, more recently, Louis Bury ( Exercises in Criticism ), have employed poetic, autobiographical aspects in their critical work, while encouraging scholars to look at the critical work done by why is abortion autobiographical creative writers such as Geoff Dyer ( Out of zara Sheer Rage ). Although it can be argued that much academic criticism has an autobiographical basis, in terms of what animates an What play in affirming Essay authors passion and interest, the inclusion of the self is often discouraged because of its perceived lack of objectivity and/or rigueur.

Furthermore, effective use of autobiography in scholarly writing can be difficult to employ, as autobiographical and scholarly concerns should, ideally, complement each other, with the zara personal advancing the scholarly project; in some cases, its exclusion may hamper or falsify the critical work being done. This roundtable will provide creative scholars with an opportunity to happened orange county choppers family discuss the challenges and potential of the critical #8220;I.#8221; Proposals representing a variety of disciplinary perspectives, historical eras, and methodological approaches are all welcome. This panel will be a part of the 47th Annual NeMLA Convention, March 17 to 20, 2016, in Hartford, CT. Interested authors should submit abstracts of no more than 250 words through the CFP list on NeMLA#8217;s website https://www.cfplist.com/nemla/Home/S/15697. Submissions must also include the author#8217;s full name, email address and institutional affiliation. Submissions must be received by September 30, 2015 . Accepted panelists must be members of NeMLA by December 1, 2015 , and register for the conference by the same date in inditex zara order to present. Participants may only deliver one paper at the conference. Inquiries (but not proposals) should be sent to David Bahr (dbahr@bmcc.cuny.edu) Do you teach a course on auto/biography, biography or life writing?

Hello Life Writing Division Members, I am working on buildings in the uk, a proposal for an Auto/biography Theory textbook, and I#8217;d like to show that there#8217;s a market for zara it#8230;if you teach a life writing, biography or auto/biography course, can you reply to this post and indicate the role do rituals play in affirming Essay course name and inditex, institution? Thank you! Regards, Julie Rak, Past Chair of the do rituals play community? Essay Life Writing Division. xTextual Versions and Autobiographical Memory (3/15/2014; 1/2015) MLA Vancouver. Textual Versions and Autobiographical Memory. A new scholarly anthology by list membersThe Affective Disorder and the Writing Life The Melancholic Muse. The Affective Disorder and the Writing Life. Palgrave Pivot, December 2013.

ISBN: 978-1-137-38165-1, ISBN10: 1-137-38165-5, 5.430 x 8.500 inches, 160 pages, Affective (Dis)order and the Writing Life: The Melancholic Muse. Table of inditex Contents. Part I: Could it be madness, this? Affective Difference and the Work of Composition. Chapter 1: What Ceremony of Words Can Patch the Havoc?: Writing, Madness, and Neurodiversity Stephanie Stone Horton. Chapter 2: Muse Afire: Negotiating the Line Between Creative Pursuit and. Mental Illness Nancer Ballard. Chapter 3: After the what happened with orange Fire Goes Out: Writing Before and After Treatment for. Zara! Affective Disorder Lise Bagoley. Orange Choppers! Chapter 4: Gaps on the Vita Sharon OBrien. Chapter 5: Lunatic Jeannie Parker Beard.

Part II: Their Lives a Storm Whereon They Ride: Affective (Dis)order and. the Literary Imagination. Chapter 6: Axing the zara Frozen Sea: Female Inscriptions of The Fascinating Respiratory Madness Joann. Chapter 7: The Things We Carry: Embodied Truth and inditex, Tim O Briens Poetics. of role do rituals in affirming Essay Despair David Bahr. Chapter 8: The Incessant Rise and Fall and Fall and Rise: Virginia Woolfs. Treading the Waves Jessica De Santa. Chapter 9: The Fire, The Dark, and the Beautiful Distance Stephen Newton. MLA Sessions and Reception for zara Autobiography, Biography and with county, Life Writing Division. Hello Division Members! Here are the sessions sponsored by our division, as well as the time and location for inditex zara our reception: all are invited! Reception: Friday, 10 January, 7:008:15 p.m., Armitage, Chicago Marriott.

180. Stealing Lives: Appropriation, Hoaxes, Ownership. Program arranged by the Division on Autobiography, Biography, and Life Writing. Presiding: Julie Rak, Univ. of why is Alberta. 1. #8220;#8216;That Ain Me#8217;: Race and inditex, the Fake Memoir,#8221; Heidi Bollinger, Hostos Community Coll., City Univ. of New York.

2. #8220;Victim/Victor: Stalking the Subject of Life Writing,#8221; Molly Pulda, Graduate Center, City Univ. of New York. 3. #8220;The Biographical Novel: A Misappropriated Life or Truthful Fiction?#8221; Michael Donald Lackey, Univ. of Minnesota, Morris. 4. #8220;Collaboration and Consent,#8221; Brian J. Norman, Loyola Coll. System! Saturday, 11 January. 563. Postcolonial Graphic Memoirs. Inditex Zara! Program arranged by the Division on Autobiography, Biography, and Life Writing. Presiding: Linda Haverty Rugg, Univ. of California, Berkeley.

1. #8220;Malamine, un africain a Paris: A Closer Look at Contemporary Postcolonial Unbelonging,#8221; Michelle Bumatay, Univ. of California, Los Angeles. 2. #8220;Self-Construction of a Transnational Feminine Identity in an Andean Context: Power Paola#8217;s Virus Tropical,#8221; Felipe Gomez, Carnegie Mellon Univ. 3. #8220;Drawing Memories, Visualizing Texts: Transnational Belonging in GB Tran#8217;s Vietnamerica,#8221; Lan Dong, Univ. of Illinois, Springfield. 4. The Fascinating System! #8220;Illustrating Alternate Narratives: Unconsumable Racialized Bodies of Young Women in Half World and inditex, Skim,#8221; Michelle O#8217;Brien, Univ. of British Columbia. Barlays! 674. The Work of Life Writing in zara and for Vulnerable Ethnic Communities. Sadism! Program arranged by inditex zara the Office of the Executive Director. Presiding: Irene Kacandes, Dartmouth Coll. 1. #8220;Risking Vulnerability: The African American Conversion Narrative and the Burden of Slavery,#8221; Susan Beth Winnett, Heinrich-Heine-Universitat. 2. #8220;#8216;Hundreds of Bodies on Two Continents, Telling a Single Story#8217;: Assembling Narratives of Genocide in Clea Koff#8217;s The Bone Woman,#8221; Kimberly Nance, Illinois State Univ.

3. #8220;Refugee Life Writing in Australia: Redefining the happened family Testimonio,#8221; Laetitia Nanquette, Univ. of inditex New South Wales. 4. #8220;My Country versus Me: Technology, Espionage, and happened with orange choppers, Chinese American Life Writing,#8221; Yuan Shu, Texas Tech Univ.

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Whitehouse editor Lisa Gunning moves from London to LA. January 25, 2017. Whitehouse Post editor Lisa Gunning has relocated from the companys London headquarters to zara its Los Angeles office. With Family? The move allows her to cut more long-form projects in inditex zara, addition to her spot work. Gunnings arrival at tallest buildings in the, Whitehouse LA coincided with her editing the feature film Newness for inditex, commercial and barlays internet, narrative director Drake Doremus. The film was completed in zara, only three months and sexual sadism disorder, premiered at this years Sundance Film Festival. Zara? Well known for why is, her commercial work, Gunning wrapped Adidas Basketball Without Creativity starring James Harden for inditex zara, frequent director collaborator Stacy Wall in with orange choppers, late 2016. Zara? In recent years, she has also teamed up with Wieden+Kennedy, 72 and The Fascinating, Sunny, YR and BBH to inditex zara work on The Fascinating System brands including Nike, Corona, Landrover and inditex, Johnnie Walker.

Regarding her decision to The Fascinating Respiratory System relocate, Gunning explains that LA offers an zara opportunity to disorder expand her commercial portfolio and inditex, cater to with county choppers family her long-form interests. Zara? I feel like Im in the epicenter of where my work is What role do rituals play, based now. Along with her spot work, Gunning has lent her editing talent to films including Nowhere Boy, Seven Psychopaths and inditex, Fifty Shades of Grey . In addition to editing, Gunning has grown her directing skills with several projects, including three short films in collaboration with Nowness and role play community?, Mini and zara, multiple music videos. Happened With Family? Directing is inditex, great for why is, editing, and what I learn on commercials is inditex, great for sexual, working in inditex zara, long-form, she explains. Barlays Internet Banking? The varied experiences make me a better director and zara, editor because Im able to orange family empathize with all of the processes and zara, think of tallest buildings in the uk, them as a whole, as opposed to just one side of inditex, it. Dave Cole joins FotoKem as senior colorist. FotoKem has hired Dave Cole as senior colorist, strengthening its DI talent offerings. Respiratory System? One of Coles first projects for Burbank-based FotoKem, will be Legendarys upcoming Kong: Skull Island . Coles career began in inditex, his native Australia, where he was a telecine operator and technical director, quickly segueing to why is colorist. Inditex Zara? His early work includes collaborating with director Peter Jackson and What role do rituals play in affirming Essay, cinematographer Andrew Lesnie, ASC, on zara color for The Lord of the Rings: The Fellowship of the wrong, Ring in inditex, 2001 at The PostHouse AG and what orange choppers family, King Kong in zara, 2004 at disorder, Weta Digital. In 2006, he moved to Los Angeles and inditex, joined LaserPacific Media where he was colorist on what with county family the Oscar-nominated Ides of inditex zara, March, The Savages, Tron: Legacy , the Alvin and the Chipmunks series, and in the uk, the Best Cinematography Academy Award-winning Life of inditex zara, Pi . Most recently, at tallest in the, Modern VideoFilm, Cole was supervising colorist on inditex zara titles such as The Book of Life, Eye in Respiratory, the Sky, Alvin and zara, the Chipmunks: The Road Chip, An Ordinary Man and What role in affirming, created looks for TV series such as Sleepy Hollow, Reign and Scorpion . In addition to his colorist duties, Cole has been helping in inditex, the development of sexual, emerging HDR technologies for manufacturers and inditex, studios, as well as providing HDR grading for what county choppers family, several major home theater releases. Cole joins a colorist FotoKem team that includes Alastor Arnold, John Daro, Mark Griffith, George Koran, Kostas Theodosiou and Walter Volpatto.

These colorists have worked on zara such titles as San Andreas, The Boxtrolls, Palo Alto, The D Train, Interstellar, The Conjuring 2, Independence Day: Resurgence and Respiratory System Essay, Central Intelligence . Zara? The team calls on sexual disorder Blackmagic DaVinci Resolve and inditex, SGOs Mistika. Joe Dzuban joins Formosa Features. November 5, 2015. Hollywoods Formosa Group has hired supervising sound editor/sound designer/re-recording mixer Joe Dzuban as part of sexual sadism disorder, its Formosa Features team. Dzuban, a multiple Golden Reel Award-nominee, has provided sound services for inditex zara, film projects of all types, including recent releases such as Guillermo del Toros Crimson Peak and tallest in the uk, Breck Eisners The Last Witch Hunter . In addition to inditex Crimson Peak (Legendary/Universal) and why is abortion wrong, T he Last Witch Hunter (Lionsgate), past releases on his resume include James Wans Furious 7 (Universal), John R. Zara? Leonettis Annabelle (New Line/Warner Bros.), Dean Israelites Project Almanac (Paramount), Christopher Landons Paranormal Activity: The Marked Ones (Paramount), as well as Wans Insidious and Insidious: Chapter 2 (Blumhouse/FilmDistrict). Having been in System Essay, the business of inditex zara, sound for over 15 years, Dzuban has an MFA in buildings, Film Production from inditex zara USCs School of sadism disorder, Cinematic Arts. MPSE 2015 Golden Reel nominations.

January 14, 2015. The Motion Picture Sound Editors (MPSE) has announced the nominees for inditex zara, the 62nd MPSE Golden Reel Awards. Tallest In The? Nominees represent the inditex, work of disorder, sound artists and inditex, their contributions to do rituals play in affirming Essay the past years most outstanding feature film, television, animation and inditex, computer entertainment productions. 2014 was a fantastic year for What do rituals community?, sound, said MPSE president Frank Morrone. The advent of inditex, new distribution channels, streaming services and internet banking, gaming platforms is zara, creating additional opportunities for tallest buildings uk, sound artists to practice their craft beyond the zara, traditional venues of film and why is, television. Inditex? This years nominations reflect that change, spanning an abortion wrong amazing diversity of inditex, mediums and disorder, genres, all executed at inditex, the highest level of sadism disorder, creativity.

We are truly inspired and zara, impressed by abortion, the work of zara, our colleagues. The MPSE Golden Reel Awards recognize outstanding achievement in abortion wrong, sound editing in 20 categories including feature films, television, animation, computer entertainment and student work. Inditex? The 62nd MPSE Golden Reel Awards will be held February 15 in buildings in the, Los Angeles. The 62nd MPSE Golden Reel Awards. 2015 MPSE FILMMAKER AWARD. 2015 MPSE CAREER ACHIEVEMENT AWARD. Here are the inditex zara, 2015 MPSE Golden Reel Award Nominees: Walt Disney Animation Studios. PRODUCED BY: Roy Conli.

DIRECTED BY: Don Hall, Chris Williams. SUPERVISING SOUND EDITOR: Shannon Mills. SUPERVISING FOLEY EDITOR: Robert Shoup. SUPERVISING DIALOGUE EDITOR: Kim Foscato. SUPERVISING ADR EDITOR: Danielv Laurie. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. The Fascinating System Essay? Hughes, Jeremy Bowker. SUPERVISING MUSIC EDITOR: Dan Pinder.

MUSIC EDITORS: Earl Ghaffari. FOLEY EDITOR: Jim Likowski. Reel Fx / Fox Animation. PRODUCED BY: Guillermo del Toro, Aron Warner, Brad Booker, Aaron Berger. DIRECTED BY: Jorge R. Zara? Gutlerrez.

SUPERVISING SOUND EDITOR: Scott Martin Gershin. SOUND DESIGNER: Scott Martin Gershin, Steve Robinson. SUPERVISING DIALOGUE / ADR EDITOR: Margit Pfeiffer. FOLEY ARTISTS: Dan OConnell, John Cucci, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Scott Wolf, MPSE, Masanobu Tomi Tomita, Peter Zinda, Charlie Campagna. DIALOGUE / ADR EDITORS: Christopher T. Welch, Julie Feiner. SUPERVISING MUSIC EDITOR: Charles Martin Inouye. PRODUCED BY: David Ichioka, Travis Knight. DIRECTED BY: Anthony Stacchi, Graham Annable.

SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce. SOUND DESIGNER: Tom Myers, Ren Klyce. SUPERVISING FOLEY EDITOR: Thom Brennan. FOLEY ARTISTS: John Roesch, Jana Thorpe. SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt. DIALOGUE / ADR EDITOR: Marilyn McCoppin. MUSIC EDITOR: Jonathon Stevens. ADR EDITOR: Marilyn McCoppin. FOLEY EDITOR: Jeremy Molod. How to Train Your Dragon 2.

HOW TO TRAIN YOUR DRAGON 2. PRODUCED BY: Bonnie Arnold. DIRECTED BY: Dean DeBlois. SUPERVISING SOUND EDITORS: Randy Thom, Michael Silvers. SOUND DESIGNER: Randy Thom MPSE, Al Nelson. SUPERVISING DIALOGUE / ADR EDITOR: Brian Chumney. FOLEY ARTISTS: Sean England, Robin Harlan, MPSE.

SOUND EFFECTS EDITORS: Mac Smith, Jeremy Bowker. FOLEY EDITORS: Pascal Garneau, Sue Fox. PRODUCED BY: Roy Lee, Dan Lin. DIRECTED BY: Phil Lord, Christopher Miller. SUPERVISING SOUND EDITORS: Wayne Pashley MPSE, Fabian Sanjurjo. SOUND DESIGNER: Wayne Pashley, MPSE. SUPERVISING FOLEY EDITOR: John Simpson, MPSE. SUPERVISING DIALOGUE EDITOR: Derryn Pasquill. FOLEY ARTIST: Ryan Squires.

SOUND EFFECTS EDITORS: Damian Candusso MPSE, Rick Lisle, Andrew Miller, Emma Mitchell. DIALOGUE / ADR EDITOR: Sonal Joshi. SUPERVISING MUSIC EDITOR: Tim Ryan. SOUND EFFECTS EDITORS: Nigel Christensen, Jared Dwyer, Cameron Frankley, Geoffrey G. Why Is Abortion? Rubay, Jon Michaels. AMERICA IMAGINE THE WORLD WITHOUT HER. PRODUCED BY: Gerald R. Zara? Molen, Dinesh DSouza, Michael Curylo, Gray Frederickson. DIRECTED BY: John Sullivan, Dinesh DSouza. SUPERVISING SOUND EDITORS: David Barber, MPSE, David Kitchens, MPSE. SOUND DESIGNER: Ben Zarai, Ken Skoglund.

SUPERVISING FOLEY / ADR EDITOR: Gonzalo Bino Espinoza. SUPERVISING DIALOGUE / ADR EDITOR: David Barber, MPSE. FOLEY ARTISTS: Shaun R. Fabos, David Kitchens, MPSE. SOUND EFFECTS EDITOR: Sean Gray. SUPERVISING MUSIC EDITOR: LA Squared Music. SOUND DESIGN:Randy Torres. PRODUCED BY: Dirk Wilutzky, Laura Poitras, Mathilde Bonnefoy. DIRECTED BY: Laura Poitras. SUPERVISING SOUND EDITOR: Frank Kruse.

SOUND DESIGNER: Frank Kruse. SUPERVISING DIALOGUE / ADR EDITOR: Alexander Buck. FOLEY ARTIST: Carsten Richter. SOUND EFFECTS EDITORS: Markus Stemler, Helene Seidl. DIALOGUE / ADR EDITOR: Alexander Buck. MUSIC EDITORS: Hans Schuhmann. DEEPSEA CHALLENGE 3D. National Geographic Entertainment.

PRODUCED BY: Brett Popplewell, James Cameron, Andrew Wight. DIRECTED BY: John Bruno, Ray Quint. SUPERVISING SOUND EDITOR: Chris Goodes. SOUND DESIGNER: Steve Burgess. SUPERVISING FOLEY EDITOR: George Alamaras. SUPERVISING DIALOGUE / ADR EDITOR: Andy Wright. FOLEY ARTIST: Mario Vaccaro. SOUND EFFECTS EDITORS: James Ashton, Glenn Newnham. MUSIC EDITORS: Jason Fernandez, Peter Hoyland.

PRODUCED BY: Trevor Albert, James Keach. DIRECTED BY: James Keach. SUPERVISING SOUND EDITOR: Milos Zivkovic. DIALOGUE / ADR EDITOR: Elisa Bonora. SUPERVISING MUSIC EDITOR: Brooke Wentz.

MUSIC EDITOR: Alice Wood. The City Film LLC. PRODUCED BY: Frank Pavich. DIRECTED BY: Frank Pavich. SUPERVISING SOUND EDITOR: Jesse Flower-Ambroch. UNDER THE ELECTRIC SKY. PRODUCED BY: Simon Lamb, Rachel Miller, Pasquale Rotella, Christopher Boyd. DIRECTED BY: Jane Lipsitz, Dan Cutforth. SUPERVISING SOUND EDITORS: Ben Wilkins, MPSE, Craig Mann. SOUND DESIGNER: Ben Wilkins, MPSE. FOLEY ARTISTS: Dawn Lunsford, Alicia Stevenson.

SOUND EFFECTS EDITORS: Lauren Hadaway. DIALOGUE / ADR EDITOR: Craig Mann. MUSIC EDITOR: Andrew Brohard. MUZEUM POWSTANIA WARSZAWSKIEGO. PRODUCED BY: Piotr C. Tallest Buildings In The? Sliwowski, Jan Oldakowski. DIRECTED BY: Jan Komasa, Wladyslaw Pasikowski.

SUPERVISING SOUND EDITORS: Kacper Habisiak MPSE, Bartosz Putkiewicz. SOUND DESIGNER: Marcin Kasinski MPSE, Dariusz Stanek. SUPERVISING FOLEY EDITOR: Henryk Zastrozny. SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemien. FOLEY ARTISTS: Jacek Wisniewski, Jacek Pajak. SOUND EFFECTS EDITORS: Aleksandra Pajak, Anna Kufirska, Filip Krzyzykowski. DIALOGUE / ADR EDITOR: Tomasz Maciatek. SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz. MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska. ADR EDITORS: Stefan Gawlowski, Maciej Wiejaczka, Jaroslaw Bajdowski, Mariusz Bielecki, Mariusz Andrysik. SOUND EFFECT EDITOR: Michal Kosterkiewicz.

FEATURE ENGLISH LANGUAGE -DIALOGUE/ ADR. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Inditex? Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu. SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock.

SUPERVISING DIALOGUE / ADR EDITOR: Thierry J. Tallest Buildings In The? Couturier M.P.S.E. SUPERVISING DIALOGUE EDITOR: Michele Perrone. DIALOGUE / ADR EDITORS: Michelle Pazer, Glynnna Grimela. ADR EDITOR: Gloria DAlessandro. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Douglas Murray, Will Files. SUPERVISING DIALOGUE / ADR EDITOR: Mildred Iatrou Morgan. DIALOGUE / ADR EDITORS: Michael Magill, Kim Foscato.

ADR EDITORS: Jim Brookshire, Nancy Nugent Title. DIALOGUE EDITOR: Chris Barnett. THE GRAND BUDAPEST HOTEL. PRODUCED BY: Wes Anderson, Scott Rudin, Jeremy Dawson. DIRECTED BY: Wes Anderson. SUPERVISING SOUND EDITORS: Wayne Lemmer, Christopher Scarabosio. THE IMITATION GAME.

Black Bear Pictures. PRODUCED BY: Nora Grossman, Ido Ostrowsky, Teddy Schwarzman. DIRECTED BY: Morten Tyldum. SUPERVISING SOUND EDITOR: Lee Walpole. PRODUCED BY: Pamela Koffler, James Brown, Lex Lutzus.

DIRECTED BY: Wash Westmoreland, Richard Glatzer. SUPERVISING SOUND EDITOR: Javier Bennassar. SUPERVISING DIALOGUE / ADR EDITOR: Javier Bennassar. THE THEORY OF EVERYTHING. PRODUCED BY: Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten. SUPERVISING SOUND EDITOR: Glenn Freemantle. DIALOGUE / ADR EDITORS: Gillian Dodders, Paul Wrightson. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala.

ADR EDITOR: Lauren Hadaway. PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster. DIRECTED BY: Damien Chazelle. SUPERVISING SOUND EDITORS: Ben Wilkins, Craig Mann. DIALOGUE / ADR EDITORS: Joe Schiff, Lauren Hadaway. FEATURE ENGLISH LANGUAGE-EFFECTS/ FOLEY. PRODUCED BY: Bruce Berman, Jason Hall, Sheroum Kim, Tim Moore.

DIRECTED BY: Clint Eastwood. SUPERVISING SOUND EDITORS: Bub Asman, Alan Robert Murray. New Regency Pictures. PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Inditex Zara? Skotchdopole. DIRECTED BY: Alejandro Gonzalez Inarritu.

SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock. SOUND DESIGNERS: Aaron Glascock, Peter Brown. SUPERVISING FOLEY EDITOR: Goeun Lee. FOLEY ARTISTS: Catherine Harper, Jeffrey Wilholt, Gary Marullo. SOUND EFFECTS EDITORS: Roland N. Barlays Internet? Thai, Jeremy Peirson, Alejandro Quevedo, Albert Gasser.

SUPERVISING FOLEY ARTIST:Gary Hecker. FOLEY EDITOR: Joe Dzuban. CAPTAIN AMERICA: THE WINTER SOLDIER. PRODUCED BY: Kevin Feige, Victoria Alonso. DIRECTED BY: Joe Russo, Anthony Russo. SUPERVISING SOUND EDITORS: Shannon Mills, Daniel Laurie. SOUND DESIGNER: David Hughes, Al Nelson. SUPERVISING FOLEY EDITOR: Nia Hansen. FOLEY ARTISTS: Ronni Brown, Sean England.

SOUND EFFECTS EDITORS: Josh Gold, Ken Fischer, Jeremy Bowker, JR Grubbs, Richard Hymns, David Acord. FOLEY EDITOR: Dee Selby. Dawn of the inditex zara, Planet of the Apes. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Peter Chernin, Dylan Clark. DIRECTED BY: Matt Reeves. SUPERVISING SOUND EDITORS: Will Files, Douglas Murray. SUPERVISING FOLEY EDITOR: John Murray. FOLEY ARTISTS: Dan OConnell, Andy Malcolm.

SOUND EFFECTS EDITORS: John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi, FOLEY EDITORS: John Murray, Scott Curtis, Thomas Small. PRODUCED BY: Bill Block, David Ayer, Ethan Smith, John Lesher. DIRECTED BY: David Ayer. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Paul N.J. Happened Orange County Family? Ottosson, MPSE. SUPERVISING FOLEY EDITOR: Mark Pappas. FOLEY ARTISTS: Gary Hecker, Rick Owens. SOUND EFFECTS EDITORS: Jamie Hardt, MPSE, Lee Gilmore, MPSE, Hamilton Sterling, Bruce Tanis, MPSE.

FOLEY EDITORS: Jonathan Klein, Scott Curtis, MPSE. GUARDIANS OF THE GALAXY. PRODUCED BY: Victoria Alonso, Kevin Feige, Louis DEsposito, Alan Fine. DIRECTED BY: James Gunn. SUPERVISING SOUND EDITORS: Matthew Wood, Christopher Boyes. SOUND DESIGNER: Christopher Boyes, David Acord. SUPERVISING FOLEY EDITOR: Kevin Sellers. FOLEY ARTISTS: Denise Thorpe, Jana Vance. SOUND EFFECTS EDITORS: David Acord, Kyrsten Mate, David Chrastka. DIALOGUE/ADR EDITORS: Cheryl Nardi, Brad Semenoff.

FOLEY EDITORS: Dee Selby, Luke Dunn Gielmuda. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan. SUPERVISING SOUND EDITOR: Richard King. SOUND DESIGNER: Richard King. SUPERVISING FOLEY EDITOR: Christopher Flick. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Michael W. Mitchell, Jeff Sawyer, Ken Johnson, Aaron Glascock.

FOLEY EDITORS: Michael Dressel, Scott Curtis, MPSE. PRODUCED BY: Matthew Baer, Angelina Jolie, Clayton Townsend. DIRECTED BY: Angelina Jolie. SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE. SOUND DESIGNER: Jay Wilkinson, Eric A. Norris, MPSE. SUPERVISING FOLEY EDITOR: David Raines, MPSE. FOLEY ARTISTS: Dan OConnell, John T. Cucci, MPSE. SOUND EFFECTS EDITORS: Karen Triest, Dan Hegeman, Nancy MacLeod, Darren Sunny Warkentin, MPSE.

FEATURE FOREIGN LANGUAGE -EFFECTS/ FOLEY/ DIALOGUE/ ADR. Indiana Production Company. PRODUCED BY: Marco Cohen, Fabrizio Donvito, Benedetto Habib. DIRECTED BY: Paolo Virzi. SUPERVISING SOUND EDITOR: Daniela Bassani. SOUND DESIGNER: Gianni Pallotto. SOUND EFFECTS EDITORS: Paolo Amici, Riccardo Cameracanna, Daniele Quadrioli, DIALOGUE / ADR EDITOR: Enzo Mandara.

MUSIC EDITOR: Taketo Gohara. SOUND EFFECTS EDITORS: Fabrizio Quadrioli, Italo Cameracanna. Producciones Insurgentes, C.A. PRODUCED BY: Ana Loehnert, Winfried Hammacher, Alberto Arvelo. DIRECTED BY: Alberto Arvelo.

SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales. SOUND DESIGNER: Trevor Gates. SUPERVISING ADR EDITOR: Andres Velasquez. FOLEY ARTIST: Vicki OReilly Vandegrift. SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, Brent Findley. DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE. SUPERVISING MUSIC EDITOR: Ramiro Belgardt.

ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich. FOLEY EDITOR: Zach Schmitt, MPSE. Pt. Zara? Merantau Films. PRODUCED BY: Aram Tertzakian, Nick Spicer, Rangga Maya Barack-Evans. DIRECTED BY: Gareth Evans. SUPERVISING SOUND / FOLEY EDITOR: Jonathan Greber. SOUND DESIGNERS: Brandon Proctor, Al Nelson. FOLEY ARTIST: Sean England.

SOUND EFFECTS EDITORS: Dug Winningham, Kim Foscato. Abis Rizvi Films. PRODUCED BY: Abiz Rizvi. DIRECTED BY: Kamal Sadanah. SUPERVISING SOUND EDITORS: Resul Pookutty, MPSE, Amrit Pritam Dutta. SOUND DESIGNER: Resul Pookutty, Amrit Pritam Dutta. SUPERVISING FOLEY EDITOR: Vijay Kumar. FOLEY ARTISTS: Karnail Singh Virdi, Sajjan Chowdhry. SOUND EFFECTS EDITORS: Amrit Pritam Dutta, Vijay Kumar, Arunav Dutta, Abhishruti Bezboruah.

PRODUCED BY: Ko Mori. DIRECTED BY: Ken Ochiai. SUPERVISING SOUND / DIALOGUE / ADR EDITOR: Carlos Sanches. SOUND DESIGNER: Matt Hall, Josh Johnson. SUPERVISING FOLEY EDITOR: John Sanacore. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Gerry Gonzalez, Hiroki Matsuura. MUSIC EDITORS: Nobuko Toda, Kazuma Jinnouchi. New Regency Pictures.

PRODUCED BY: Arnon Milchan, James W. Tallest In The? Skotchdopole, Alejandro Gonzalez Inarritu, DIRECTED BY: Alejandro Gonzalez Inarritu. MUSIC EDITORS: Terry Wilson, Will Kaplan. DAWN OF THE PLANET OF THE APES. PRODUCED BY: Dylan Clark, Peter Chernin, Mark Bomback, Thomas Hammel. DIRECTED BY: Matt Reeves. MUSIC EDITOR: Paul Apelgren.

THE FAULT IN OUR STARS. Temple Hill Entertainment. PRODUCED BY: Wyck Godfrey, Marty Bowen. DIRECTED BY: Josh Boone. MUSIC EDITOR: Katrina Schiller. Twentieth Century Fox. PRODUCED BY: Cean Chaffin, Resse Witherspoon, Joshua Donen, Arnon Milchan. DIRECTED BY: David Fincher.

SUPERVISING MUSIC EDITOR: Jonathon Stevens. MUSIC EDITORS: Ren Klyce. GUARDIANS OF THE GALAXY. PRODUCED BY: Kevin Feige, Victoria Alonso, Louis DEsposito. DIRECTED BY: James Gunn. SUPERVISING MUSIC EDITOR: Steve Durkee. MUSIC EDITORS: Will Kaplan, Darrell Hall. Paramount Pictures; Warner Brothers; Legendary Pictures, Syncopy. PRODUCED BY: Christopher Nolan, Emma Thomas, Lynda Obst. DIRECTED BY: Christopher Nolan.

SUPERVISING MUSIC EDITOR: Alex Gibson. MUSIC EDITOR: Ryan Rubin. PRODUCED BY: Oprah Winfrey, Dede Gardner, Christian Colson, Jeremy Kleiner. DIRECTED BY: Ava DuVernay. MUSIC EDITORS: Julie Pearce, Clint Bennett. Olive Bridge Entertainment. PRODUCED BY: Will Gluck, Alicia Emmrich, James Lassiter, Will Smith. DIRECTED BY: Will Gluck. SUPERVISING SOUND EDITOR: Jon Wakeham.

MUSIC EDITORS: Lisa Jaime, Sherry Whitfield. PRODUCED BY: Mick Jagger, Victoria Pearman, Brian Grazer, Erica Huggins. DIRECTED BY: Tate Taylor. SUPERVISING MUSIC EDITOR: Curt Sobel, MPSE. MUSIC EDITORS: Jordan Corngold, Bill Bernstein, Stephanie Lowry, Richard Henderson. PRODUCED BY: John DeLuca, Rob Marshall, Callum McDougall, Marc Platt.

DIRECTED BY: Rob Marshall. SUPERVISING MUSIC EDITOR: Mike Higham. MUSIC EDITOR: Jennifer Dunnington. PRODUCED BY: Clint Eastwood, Robert Lorenz, Graham King. DIRECTED BY: Clint Eastwood. SUPERVISING MUSIC EDITOR: Chris McGeary. MUSIC EDITORS: Tommy Lockett, Angela Claverie.

PRODUCED BY: Jason Blum, Jason Reitman, Couper Samuelson, David Lancaster. DIRECTED BY: Damien Chazelle. SUPERVISING SOUND EDITOR: Ben Wilkins, MPSE, Craig Mann. SUPERVISING MUSIC EDITOR: Richard Henderson. MUSIC EDITOR: Craig Mann. COMPUTER EPISODIC (WEBISODE) PRODUCED BY: Aidan Elliott, Mark Huffam. DIRECTED BY: Sergio Mimica-Gezzan. SUPERVISING SOUND EDITOR: Lee Walpole.

SOUND DESIGNER: Andy Kennedy. SUPERVISING FOLEY EDITOR: Sarah Elias. SUPERVISING DIALOGUE / ADR EDITOR: Jeff Richardson, FOLEY ARTIST: Meltem Baytok Topalkci. SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura. JABBAWOCKEEZ PRESENTS REGENERATE. PRODUCED BY: Kevin Tancheron, Beatriz Acevedo, Doug Grieff, Lydia Antonini. DIRECTED BY: Kevin Tancheron. SUPERVISING SOUND EDITOR: Michael Babcock. SOUND DESIGNERS: Michael Babcock, Tim Gedemer.

SOUND EFFECTS EDITOR: Bryan Jerden. POET ANDERSON: THE DREAM WALKE R. PRODUCED BY: Tom DeLonge, Ben Kull. SUPERVISING SOUND EDITOR / DESIGNER: Robert Kellough, MPSE. SOUND EFFECTS EDITOR: George Pereyra. VIDEO GAME HIGH SCHOOL (SEASON 3) The Collective Digital Studio LLC.

PRODUCED BY: Raul Celaya, Abanoub Andraous. DIRECTED BY: Freddie Wong, Matt Arnold. SUPERVISING SOUND EDITOR: Steven Cahill. SOUND DESIGNERS: Steven Cahill, Aaron Bartscht. SUPERVISING FOLEY EDITOR: Gerry Montejo. SUPERVISING DIALOGUE EDITOR: Jon Lyga. FOLEY ARTIST: Gerry Montejo. SOUND EFFECTS EDITORS: Aaron Bartscht, Richard Garcia. MUSIC EDITORS: Greg Nicolett, Preston Shepard. WORLD OF WARCRAFT LORDS OF WAR. Rollover Productions, Inc.

PRODUCED BY: Caroline Hernandez, MPSE, Philip Hillenbrand, Eric Davis. DIRECTED BY: Doug Gregory, Marc Messenger. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: Tim Nielsen, Stuart Provine. SUPERVISING FOLEY EDITOR: Darrin Mann. SUPERVISING DIALOGUE / ADR EDITOR: Alexander Ephraim. SUPERVISING DIALOGUE EDITOR: Andrea Toyias.

FOLEY ARTIST: Gregg Barbanell, MPSE. SOUND EFFECTS EDITORS: Charles Deenen, MPSE, Caroline Hernandez, MPSE. SUPERVISING MUSIC EDITOR: Derek Duke. MUSIC EDITORS: Neal Acree, Alexander Ephraim, MPSE. DIRECT TO VIDEO ANIMATION. THE BOXCAR CHILDREN. PRODUCED BY: Dan Chuba, Mark Dippe. SUPERVISING SOUND EDITORS: Eric Lalicata, Tom Boykin. SOUND DESIGNER: Ryan Gegenheimer. SUPERVISING FOLEY EDITOR: Kyle Lane. FOLEY ARTIST: Tara Blume.

DIALOGUE / ADR EDITOR: Dhyana Carlton-Tims. THE PIRATE FAIRY. PRODUCED BY: Jenni Magee-Cook, John Lasseter. DIRECTED BY: Peggy Holmes. SUPERVISING SOUND EDITOR: Todd Toon, MPSE. SOUND DESIGNER: Todd Toon, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: Thomas Whiting. FOLEY ARTISTS: John Roesch, Alyson Dee Moore. SOUND EFFECTS EDITORS: Odin Benitez, MPSE, Adam Kopald, MPSE, Charles W. Inditex Zara? Ritter,

Pernell L. Sexual Sadism? Salinas. SUPERVISING MUSIC EDITOR: Charles Martin Inouye. MUSIC EDITOR: Jim Harrison. PRODUCED BY: Jack Liburn, Laurence Braun. SUPERVISING SOUND EDITOR: Eric Marks, MPSE. SCOOBY DOO AND THE WRESTLE-MANIA MYSTERY. Warner Bros. Inditex Zara? Animation.

PRODUCED BY: John Donkin, Jerry Davis. DIRECTED BY: Brandon Vietti. SUPERVISING SOUND EDITORS: Devon Bowman, Rob McIntyre. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Kelly Foley-Downes. SUPERVISING DIALOGUE EDITOR: Mark Keatts. SUPERVISING ADR EDITOR: Michael Garcia, MPSE. FOLEY ARTIST: Vincent Guisetti. SOUND EFFECTS EDITORS: Jessey Drake, Jim Lucero, Marc Schmidt, Michael Kreple.

SUPERVISING MUSIC EDITOR: Ryan Shore. STAR WARS : THE CLONE WARS. PRODUCED BY: George Lucas, Cary Silver, Dave Filoni, Steward Lee. SUPERVISING SOUND EDITOR: Matthew Wood. SOUND DESIGNER: David Acord. SUPERVISING FOLEY EDITOR: Kevin Sellers. SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec.

SOUND EFFECTS EDITOR: Jeremy Bowker. SUPERVISING MUSIC EDITOR: Dean Menta. MUSIC EDITOR: Sean Kiner. DIRECT TO VIDEO LIVE ACTION. THE CHRISTMAS DRAGON. PRODUCED BY: Jason Faller, Kynan Griffin. SUPERVISING SOUND EDITOR: Carlos Sanches. SOUND DESIGNERS: Josh Johnson, Carlos Sanches. SUPERVISING SOUND EDITORS: Darren Sunny Warkentin, MPSE, Lon Bender, MPSE. SOUND DESIGNERS: Kris Fenske, MPSE, Rusty Dumm.

PRODUCED BY: Emmett/Furla Films. PRODUCED BY: Randall Emmett, George Furla. SUPERVISING SOUND EDITORS: David Barber, MPSE. SOUND DESIGNERS: Ben Zarai, SeanGray. PRODUCED BY: Russell Gray, Dmitry Guzeev. SUPERVISING SOUND EDITORS: David Barber, MPSE, Ben Zarai. SOUND DESIGNER: Ken Skoglund. PRODUCED BY: Mark Amin, Bruce Davey.

SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean. SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE. PRODUCED BY: Morris Paulson, Mathew Peterman. SUPERVSING SOUND EDITOR: Trip Brock. PRODUCED BY: Dan Hay. SUPERVISING SOUND EDITOR: Chris Ove. SOUND DESIGNERS: Kevin Vail, Eduardo Vaisman. SUPERVISING FOLEY EDITOR: Martin Laplante. SUPERVISING DIALOGUE EDITOR: Philip Hunter.

FOLEY ARTISTS: Alexis Farand, Tchae Measroch. SOUND EFFECTS EDITORS: Marc Gagnon, Jean-Francois St-Pierre, Chris Groegler, Matte Wagner. DIALOGUE / ADR EDITORS: Carl Bramucci, Emmanuelle Novero. SUPERVISING MUSIC EDITOR: Jerome Angelot. MUSIC EDITOR: Simon Laundry.

HALO: MASTER CHIEF COLLECTION 2014. Blur / Microsoft / 343 Industries. PRODUCED BY: Tyler Jeffers, Frank Balson, Bonnie Ross, Dan Ayoub. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNERS: Csaba Wagner, Stuart Provine. SUPERVISING FOLEY EDITOR: Braden Parkes. SUPERVISING DIALOGUE / ADR EDITOR: Trygg Littlefield. FOLEY ARTISTS: Gregg Barbanell, MPSE. SOUND EFFECTS EDITORS: Tim Walston, MPSE, Justin Davey, George Pereyra, Travis Prater. SUPERVISING SOUND EDITORS: Riot Games Audio Team. SOUND DESIGNERS: Riot Games Audio Team.

SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team. FOLEY ARTISTS: Gary Hecker, Gary Marullo. SOUND EFFECTS EDITORS: Riot Games Audio Team. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, Taka Yasuda. DIRECTED BY: Jeff Chamberlain. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: Tim Nielsen, Caroline Hernandez, MPSE.

SUPERVISING FOLEY EDITOR: Darrin Mann. SUPERVISING DIALOGUE EDITOR: Alexander Ephraim, MPSE. SUPERVISING ADR EDITOR: Andrea Toyias. FOLEY ARTISTS: Gregg Barbanell, MPSE. SUPERVISING MUSIC EDITOR: Derek Duke. MUSIC EDITOR: Neal Acree. Cloud Imperium Games, LLC. PRODUCED BY: Chris Roberts, Travis Day, John Schimmel. DIRECTED BY: Chris Roberts, Martin Galway. SUPERVISING SOUND EDITORS: Charles Deenen, MPSE, Tim Gedemer, MPSE. SOUND DESIGNER: Jay Jennings.

SOUND EFFECTS EDITORS: Bryan Jerden, Travis Prater. DIALOGUE / ADR EDITOR: Robb Gilligan. WORLD OF WARCRAFT WARLORDS OF DRAENOR INTRO CINEMATIC. Rollover Productions, Inc. PRODUCED BY: Caroline Hernandez, MPSE, Taka Yasuda. DIRECTED BY: Marc Messenger. SUPERVISING SOUND EDITOR: Paul Menichini, MPSE. SOUND DESIGNERS: David Farmer, MPSE, Caroline Hernandez, MPSE.

SUPERVISING FOLEY EDITOR: Darrin Mann. FOLEY ARTIST: Gregg Barbanell, MPSE. SOUND EFFECTS EDITOR: Alexander Ephraim, MPSE. DIALOGUE / ADR EDITORS: Andrea Toyias, Thomas Brewer, MPSE. SUPERVISING MUSIC EDITOR: John Kurlander. MUSIC EDITOR: Neal Acree. TV ANIMATION EFFECTS/ FOLEY/ DIALOGUE/ ADR. Disney Television Animation. PRODUCED BY: Louis Cuck (Line Producer), Tom Warburton (Co-EP), Tom Ruegger (EP) SUPERVISING SOUND EDITORS: Kate Finan, Otis Van Osten. SUPERVISING FOLEY EDITOR: John Sanacore.

SUPERVISING DIALOGUE / ADR EDITOR: Jason Oliver. FOLEY ARTIST: Jeff Wilhoit, MPSE. SOUND EFFECTS EDITORS: Roger Pallan, Gerardo Gonzalez. Disney Television Animation. PRODUCED BY: Alex Hirsch, Rob Renzetti, Brian Doell. DIRECTED BY: Joe Pitt.

SUPERVISING SOUND EDITOR / SOUND DESIGNER: Heather Olsen, MPSE. SUPERVISING FOLEY EDITOR: Aran Tanchum. SUPERVISING DIALOGUE / ADR EDITOR: Robbi Smith, MPSE. FOLEY ARTIST: John Lampinen. PENN ZERO: PART-TIME HERO. North Pole Down Disney TV Animation. PRODUCED BY: Sam Levine, Jared Bush, Michele Mazzano. DIRECTED BY: Tom De Rosier, Adam Henry. SUPERVISING SOUND EDITOR: Eric Freeman.

SUPERVISING FOLEY EDITOR: Roy Braverman. SUPERVISING DIALOGUE / ADR EDITOR: Mark Kondracki. FOLEY ARTIST: John Lampinen. The Curse of do rituals play, Princess Ivy Walt Disney Productions. PRODUCED BY: Jamie Mitchell, Craig Gerber, Clay Renfroe. DIRECTED BY: Jamie Mitchell, Mircea Mantta.

SUPERVISING SOUND EDITORS: Timothy J. Borquez, MPSE, Thomas Syslo. FOLEY ARTIST: Diane Greco. SOUND EFFECTS EDITORS: Alex Borquez, Tony Orozco, Daisuke Sawa. DIALOGUE / ADR EDITOR: Nick Gotten. STAR WARS : REBELS. PRODUCED BY: Simon Kinberg, Dave Filoni, Greg Weisman, Kiri Hart. DIRECTED BY: Dave Filoni, Steward Lee. SUPERVISING SOUND EDITORS: Matthew Wood, David Acord. SOUND DESIGNER: David Acord. SUPERVISING FOLEY EDITOR: Frank Rinella. FOLEY ARTISTS: Kim Patrick, Frank Rinella.

SOUND EFFECTS EDITOR: Ryan Frias. DIALOGUE / ADR EDITOR: Tony Diaz, MPSE. SUPERVISING MUSIC EDITOR: Sean Kiner. TEENAGE MUTANT NINJA TURTLES. Nickelodeon Animation Studios Inc. PRODUCED BY: Ciro Nieli, Brandon Auman, Peter Hastings, Macgregor Middleton.

DIRECTED BY: Sebastian Montes. SUPERVISING SOUND EDITOR: Jeff Shiffman. SUPERVISING FOLEY EDITOR: Roger Pallan. SUPERVISING DIALOGUE / ADR EDITOR: Anna Adams. FOLEY ARTISTS: Roger Pallan, Alex Ullrich, MPSE. SOUND EFFECTS EDITORS: Gerardo Gonzalez, Matt Hall. SUPERVISING MUSIC EDITOR: Sebastian Evans II. The Spider-Verse: Part 1 Film Roman/Marvel Animation. PRODUCED BY: Eric Radomski, Kenneth Ito, Harrison Wilcox, Jeph Loeb. DIRECTED BY: Alex Soto. SUPERVISING SOUND EDITOR: Mike Draghi , MPSE.

SOUND DESIGNERS: Greg Rubin, Marcos Abrom. SUPERVISING FOLEY EDITOR: Maciek Malish, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: John Brengman. FOLEY ARTISTS: Maciek Krakowka, Tomek Dukszta. SOUND EFFECTS EDITOR: Jesse Arruda, MPSE. TV DOCUMENTARY LONG FORM EFFECTS/ FOLEY/ DIALOGUE/ ADR. Youll Know My Name is the inditex zara, Lord Original Productions, LLC, a FremantleMedia Company for The Fascinating System Essay, the Discovery Channel. PRODUCED BY: Decker Watson, John Gray, Jeff Conroy, Johnny Beechler. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE. SUPERVISING DIALOGUE / ADR EDITOR: Doug Kern.

SOUND EFFECTS EDITOR: Eddie Rodriguez. MUSIC EDITOR: Selina Zakaria. FOO FIGHTERS SONIC HIGHWAYS. PRODUCED BY: John Ramsay, James A. Inditex? Rota. DIRECTED BY: Dave Grohl. SUPERVISING SOUND EDITOR / SOUND DESIGNER / SUPERVISING DIALOGUE EDITOR: Eddie Kim. SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller. SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens. DIALOGUE / ADR EDITOR: Justin Lebens.

SUPERVISING MUSIC EDITOR: Jeff Fuller. Stephen David Entertainment For History. PRODUCED BY: Stephen David, Shirley Escott. SUPERVISING SOUND EDITOR: Tim W. The Fascinating Respiratory System? Kelly. SOUND DESIGNERS: Jonathan Soule, Brian McCallister.

MUSIC EDITORS: John Kilgour, Mike Alfin. TV DOCUMENTARY SHORT FORM EFFECTS/ FOLEY/ DIALOGUE/ ADR. Original Productions / Max Post. PRODUCED BY: Dave Freed, Sarah Whalen, Adam Bradley, Jeff Meredith. SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE. SUPERVISING DIALOGUE EDITOR: Chris Chappel. SOUND EFFECTS EDITOR: Jake Allston. Mandalay Sports Media. PRODUCED BY: Marc Levy, Michael Gleaton. SUPERVISING SOUND EDITORS: Eric Lalicata, Shaun Cunningham. UNSUNG HEROES: THE STORY OF AMERICAS FEMALE PATRIOTS.

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mathematician resume in 1887, the inditex zara, first Black. mathematics graduate student. Died December 29, 1939. During the period from 1882 to buildings uk 1886, while Miller attended the College Department at Howard University, he also worked as a clerk for the U.S.

Pension Office for two years. Kelly Miller was appointed to the position in the Pension Office after taking the civil service examination a test prescribed by the Civil Service Act passed during the administration of President Grover Cleveland. Miller's greatest influence while at Howard University where his professors of Latin (James Monroe Gregory) and History (Howard president William Weston Patton, who also taught philosophy and conducted weekly vesper services required of all students). He received a Bachelor of Science ( B.S. Inditex. ) from Howard University in 1886. Miller continued to work at the Pension Office after graduation in 1886. He also studied advanced mathematics (1886-1887) with Captain Edgar Frisby, an English mathematician at the U.S. Naval Observatory. Frisby's chief at the observatory, Simon Newcomb, who was also a professor of mathematics at Johns Hopkins University, and who recommended Miller for admission to abortion wrong Hopkins University President Daniel Coit Gilman. Johns Hopkins University had recently become the first American school to offer graduate work in mathematics. As Miller was to be the first African American student admitted to the university, the recommendation was decided by inditex, the Board of Trustees, who decided to orange county family admit Miller based on inditex zara, the university founder's known Quaker beliefs. From 1887 to 1889 Miller performed graduate work in What do rituals play community? Essay, Mathematics, Physics, and Astronomy.

When an increase in tuition ($100 to $200) prevented Miller from continuing his studies, Kelly Miller left (and Johns Hopkins closed its doors to Blacks) and inditex, taught at the M Street High School in Washington, D.C. Happened County. (1889-1890), whose principal was Francis L. Cardozo. [Note: One source reports that Kelly Miller left school after deciding that his best contribution would be in the areas of civil rights.] After teaching mathematics briefly at inditex zara, the M Street High School in Washington, D.C. What In Affirming Essay. (1889-1890), he was appointed to the faculty of inditex zara Howard University in sexual, 1890. Five years later Miller added sociology to Howard's curriculum because he thought that the new discipline was important for zara developing objective analyses of the racial system in buildings, the United States. As dean of the College of Arts and inditex, Sciences, he modernized the classical curriculum, strengthening the natural and social sciences. From Howard University, Kelly Miller received a Master of Arts ( M.A. ) in Mathematics (1901) and a law degree ( LL.D .) in 1903. From 1895 to sadism disorder 1907 Miller was professor of inditex zara mathematics and sociology, but he taught sociology exclusively after that, serving from 1915 to 1925 as head of the new sociology department.

In 1894 Miller had married Annie May Butler, a teacher at the Baltimore Normal School, with whom he had five children. Noted for his brilliant mind, Miller rapidly became a major figure in the life of Howard University. In 1907 he was appointed dean of the sadism disorder, College of inditex zara Arts and Sciences. During his twelve-year deanship the college grew dramatically, as the old classical curriculum was modernized and new courses in the natural sciences and the social sciences were added. What Happened With County. Miller's recruiting tours through the inditex, South and The Fascinating, Middle Atlantic states were so successful that the enrollment increased from 75 undergraduates in 1907 to 243 undergraduates in 1911. Although Miller was a leader at Howard for most of inditex zara his tenure there, his national importance derived from his intellectual leadership during the happened orange choppers family, conflict between the accommodationism of Booker T. Washington and the radicalism of the nascent civil rights movement led by W. Inditex. E. B. Respiratory System Essay. Du Bois. Zara. Critical of Washington's famous Cotton States Exposition Address (1895) in what happened orange family, 1896, Miller later praised Washington's emphasis on self-help and initiative. He remained an opponent of the exaggerated claims made on behalf of industrial education and inditex zara, became one of the what happened with choppers family, most effective advocates of inditex higher education for black Americans when it was attacked as inappropriate for a people whose social role was increasingly limited by what happened with orange choppers family, statute and custom to agriculture, some skilled trades, unskilled labor, and domestic service. In the Educational Review , Dial , Education , the Journal of Social Science , and other leading journals, Miller argued that blacks required wise leadership in the difficult political and social circumstances following the defeat of Reconstruction, and only higher education could provide such leaders. Moreover, the race required physicians, lawyers, clergymen, teachers, and other professionals whose existence was dependent on higher education. Excluded from most white colleges, black Americans would have to secure higher education in their own institutions, Miller argued, and some of them, like Howard, Fisk, and Atlanta Universities, would emphasize liberal education and the professions rather than the trades and manual arts (industrial education) stressed at Hampton and Tuskegee Institutes.

In the debate between the advocates of collegiate and industrial education, Miller maintained that the whole matter was one of ratio and inditex zara, proportion not fundamental controversy. Recognized as one of the most influential black educators in the nation because of his extensive writing and his leadership at Howard, Miller was sought out by both camps in the controversy but was trusted by neither because of his refusal to dogmatically support either of the rival systems. Miller's reputation as a philosopher of the race question was based on internet banking, his brilliant articles, published anonymously at zara, first, on radicals and conservatives in the Boston Transcript (18, 19 Sept. What Role Play Community?. 1903). With some alterations, these articles later became the lead essay in inditex zara, his book Race Adjustment (1908). Miller's essays insisted on the right of black Americans to protest against the injustices that had multiplied with the rise of the white supremacy movement in the South, as the Du Bois radicals did, but he also advocated racial solidarity, thrift, and institution-building as emphasized by the followers of Washington. Characteristically, Miller had two reputations as a public policy analyst, first as a compromiser between black radicals and conservatives, and abortion, second as a race spokesman during the prolonged crisis of disfranchisement and the denial of civil rights by white supremacists and their elected representatives in Congress.

The Disgrace of Democracy: An Open Letter to President Woodrow Wilson , a pamphlet published in August 1917, was Miller's most popular effort. Responding to recent race riots in zara, Memphisand East St. Louis, Miller argued that a democracy of race or class is no democracy at all. Writing to Woodrow Wilson, he said, It is but hollow mockery of the tallest buildings in the uk, Negro when he is beaten and inditex zara, bruised in all parts of the nation and flees to the national government for asylum, to be denied relief on the basis of doubtful jurisdiction. The black man asks for in the uk protection and zara, is given a theory of happened with county choppers family government.

More than 250,000 copies of the pamphlet were sold, and the military authorities banned it on army posts. Although Miller was best known as a controversialist, he also made important but frequently overlooked contributions to zara the discipline of what happened with family sociology. His earliest contribution was his analysis of Frederick L. Hoffman's Race Traits and Tendencies of the American Negro , published by the American Economic Association in 1896. Hoffman attempted to demonstrate that the social disorganization of black Americans (weak community institutions and family structure) was caused by an alleged genetic inferiority and that their correspondingly high mortality rate would result in their disappearance as an element of the American population. Miller's refutation of Hoffman's claims, A Review of Hoffman's Race Traits and zara, Tendencies of the American Negro , published by What play Essay, the American Negro Academy in 1897, was based on a technical analysis of census data. Perhaps Miller's most lasting contribution to scholarship was his pioneering advocacy of the systematic study of black people.

In 1901 he proposed to the Howard board of inditex trustees that the sexual sadism disorder, university financially support the publications of the American Negro Academy, whose goals were to promote literature, science, art, higher education, and scholarly works by blacks, and to defend them against vicious assaults. Although the board declined, it permitted the academy to meet on the campus. Convinced that Howard should use its prestige and location in Washington to become a national center for black studies, Miller planned a Negro-Americana Museum and Library. In 1914 he persuaded Jesse E. Moorland, a Howard alumnus and inditex zara, Young Men's Christian Association official, to donate to Howard his large private library on blacks in Africa and in the United States as the foundation for the proposed center. This became the Moorland Foundation (reorganized in 1973 as the Moorland-Spingarn Research Center), a research library, archives, and museum that has been vital to the emergence of sound scholarship in happened with orange, this field. The years after World War I were difficult ones for Miller.

J. Stanley Durkee, the last of Howard's white presidents, was appointed in zara, 1918 and set out to curtail the uk, baronial power of the deans by building a new central administration. Miller, a conspicuously powerful dean, was demoted in 1919 to dean of a new junior college, which was later abolished in 1925. A leader in inditex zara, the movement to have a black president of Howard, Miller was a perennial favorite of the alumni but was never selected. Although his influence at Howard declined significantly by the late 1920s through his retirement in 1934, Miller's stature as a commentator on race relations and politics remained high. He had become alarmed by the vast social changes stimulated by World War I and was seen as increasingly conservative. He opposed the widespread abandonment of farming by The Fascinating Respiratory System, black Americans and warned that the mass migration to cities would be socially and culturally destructive. At a time when many younger blacks regarded labor unions as progressive forces, Miller was skeptical of them, citing their history of persistent racial discrimination. He remained an old-fashioned American patriot despite the nation's many disappointing failures to extend democracy to black Americans.

As a weekly columnist in the black press, Miller's views were published in more than one hundred newspapers. By 1923 it was estimated that his columns reached half a million readers. Miller died at his home on the campus of inditex zara Howard University. References: [ Mickens ], [ Donaldson ], [we also give thanks to African American Faces of Science], [ Carter G. Woodson, Kelly Miller, Journal of Negro History (Jan. Barlays. 1940): 137-38], [August Meier, The Racial and Educational Philosophy of Kelly Miller, 1895-1915, Journal of Negro Education (July 1960): 121-27], [Hopkins History: In 1887, Kelly Miller, Son of inditex a Slave, Became a JHU First. The Johns Hopkins University Gazette January 16, 2001] NOTE: A limited collection of Miller's papers, including an incomplete autobiography and a scrapbook, is at the Moorland-Spingarn Research Center at Howard University. The Fascinating Essay. Below is one:

THE RISK OF WOMAN SUFFRAGE. By KELLY MILLER. The August number of the inditex, crisis contained an interesting symposium on sexual sadism disorder, woman suffrage. The symposium was unusual, in that it involved only one side of a disputed issue. The contributors represent some of the ablest and most thoughtful names among us. They presented, presumably, the best possible putting of the cause espoused. The public, however, should not be misled to zara suppose that they represent the general attitude of the System Essay, colored race on that question.

Despite the ardent advocacy and plausible pleas of the propagandists, I am wholly unable to see wherein the experiment of woman suffrage promises any genuine advantage to zara social well-being. The human race is divided horizontally by age, vertically by tallest buildings in the, sex and diagonally by race. Each individual passes from the minor to the adult stage in course of a life time; the inditex, cleavage of race is subject to indefinite modification through environment and intermingling of blood; but sex is the one fixed and unalterable separatrix of barlays mankind. The function of sex in human economy is clearly defined and well understood. The bearing and rearing of the young constitute the chief duty and inditex zara, responsibility of the female, and this task absorbs her highest energies during the most energetic period of her life. The family constitutes the fundamental social unit. Woman's sphere of what choppers family activity falls mainly within while white man's field of action lies largely without the domestic circle. This represents the traditional and, presumably, the ideal relation between the sexes.

It has the sanction of divine authority and the test of human experience. Woman suffrage could not possibly enhance the harmoniousness of this relationship, but might seriously jeopardize it. Woman is physically weaker than man and is incapable of competing with him in the stern and strenuous activities of public and practical life. In the final analysis, politics is a game of force, in which no weakling may expect to be assigned a conspicuous role. As part of zara her equipment for motherhood, woman has been endowed with finer feelings and a more highly emotional nature than man. She shows tender devotion and The Fascinating System Essay, self sacrifice for inditex those close to her by ties of blood or bonds of barlays internet banking endearment. But by the universal law of compensation, she loses in extension what is gained in intensity.

She lacks the sharp sense of public justice and the common good, if they seem to run counter to her personal feeling and interest. She is far superior to man in purely personal and private virtue, but is his inferior in public qualities and character. Suffrage is not a natural right, like life and liberty. The common sense of mankind has always limited it by age, sex, possession, attainment and moral character. It is inditex zara merely a convenient agency through which to secure the best result of government, and to make secure life, liberty and happiness to all. It cannot be maintained that woman is deprived of any of these objects under male suffrage. Sexual Sadism Disorder. It is inconceivable that man would legislate against his wife and zara, daughter, who are dearer to him than life itself, and who, he knows, must fall back upon tallest buildings his strong arm for protection, whether they be given the suffrage or not. The historical hardships and legal disabilities against inditex zara, which women complain so bitterly were incidental imperfections of social development.

Most of these have already been swept away, as all of them are bound to why is abortion wrong be, by man's growing sense of inditex justice and wrong, fair play. Female suffrage has been tried in twelve states of the Union, but so far no genuine public benefit has resulted therefrom, nor has the lot of woman been ameliorated more rapidly than in other states under exclusive male suffrage. There may be some argument for suffrage for unfortunate females, such as widows and hopeless spinsters, but such status is not contemplated as a normal social relation. Women as voters would undoubtedly stand against the purely masculine vices such as drunkenness and the social evil, but they can be equally or even more efficacious through non-political influence. The logical sequence of inditex suffrage is office-holding. Disorder. Female suffrage will never reach its full fruition until fully one-half of all public offices, legislative, judicial and executive, local and inditex, national, are filled by women. Is the public mind ready for this risky innovation? It is banking alleged that Negro suffrage and woman suffrage rest on the same basis.

But on close analysis it is inditex found that there is scarcely any common ground between them. The female sex does not form a class separate and distinct from the male sex in the sense that the Negro forms a class separate and distinct from the whites. Experience and reason both alike show that no race is good enough to govern another without that other's consent. On the other hand both experience and reason demonstrate that the male seeks the welfare and happiness of the do rituals play in affirming community? Essay, female even above his own interest. Zara. The Negro can not get justice or fair treatment without the suffrage. Woman can make no such claim, for man accords her not only uk every privilege which he himself enjoys but the zara, additional privilege of protection. The fundamental defect in the propaganda of woman suffrage consists in the fact that instead of confining its effort to the improvement of woman's lot along the line of her obvious sphere and function in the social scheme, it insists upon her privilege and opportunities being artificially identical with those of man. It is amusing to note that women are to Respiratory be allowed to vote at inditex zara, twenty-one merely because men are accorded the privilege at that age; whereas according to their physical and mental developments, the sexes have a different order of disorder maturity. If the strictly physiological and psychological basis of male suffrage is placed at twenty-one, female suffrage should be placed at eighteen. If man should be allowed to vote on the first appearance of a mustache, some woman would doubtless demand the same privilege. Male and female created He them; what God has made different man strives in vain to make identical.

some other Sociological Writings: As to the Leopard's Spots: An Open Letter to inditex zara Thomas Dixon , a pamphlet published in 1905. Appeal to Reason on the Race Problem: An Open Letter to John Temple Graves (1906), a searching commentary on the Atlanta race riot. The Ultimate Race Problem, Atlantic Monthly , Apr. 1909, pp. 2-8; Eugenics of the Negro Race, Scientific Monthly , July 1917, pp. 57-59. Enumeration Errors in internet banking, Negro Population, Scientific Monthly , Feb. 1922, pp.

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collaborative essay In 1995, I was commissioned by the Pew Partnership for Civic Change to study how collaboration was being used in the United States to build and inditex, strengthen community. While there are many forms of collaboration, my research focused on one type in particularthe kind carried out by individuals, groups and Respiratory System, organizations in inditex, the public sphere. This form of collaboration can be described as a process of shared decision-making in which all the parties with a stake in a problem constructively explore their differences and develop a joint strategy for barlays action. This essay appears in 'On Collaboration' a collection edited by Marie Bak Mortensen and Judith Nesbitt (London: Tate, 2012). My report on zara the subject (from which the following essay has been adapted) generated a surprising amount of attention when it appeared. It was widely cited in books and publications and reprinted in several monographs. After concluding the study, I went on what with choppers to observe and work with collaborative teams across America as well as study community leaders who practice collaboration as part of their community development work. I found that collaboration can be a powerful alternative to conventional mechanisms for effecting change, such as coalitions, task forces, and commissions. Inditex Zara! Traditional groups and organizations tend to be structured vertically. Decisions are made at the top and people derive their influence and authority from sexual their positions within the hierarchy.

This is especially true in professional organizations where leadership is centralized, the work mission-driven, processes guided by procedures and inditex, statutes, and internal communication mostly confined to Essay, departments, workgroups, and committees. Collaborative groups, by contrast, are structured horizontally. Leadership, to the extent that it exists at inditex zara all, is broadly distributed. Why Is! Job titles and professional affiliations fade into zara the background and people derive their influence from having their ears to the ground, from being well-connected in the community, and from being engaged in a multiplicity of Respiratory System Essay projects. Inditex Zara! Membership usually spans silos and divisions in the community, processes are guided by norms of sexual sadism disorder trust and inditex, reciprocity, and communication is more personal, more conversational, more exploratory than in formal settings. For this reason, collaborative efforts tend to be loosely structured, highly adaptive, and sexual sadism, inherently creative. By creating spaces where connections are made, ideas are cross-fertilized, and collective knowledge is developed, collaborative teams generate rich opportunities for innovation. When the right people are brought together in constructive ways and with the appropriate information, they are able to create powerful visions and robust strategies for change. While collaboration is getting a lot of inditex attention today, especially in What do rituals play in affirming community?, the fields of management theory and inditex zara, leadership studies, there is relatively little substantive research on the subject. There is, however, a growing body of literature championing its benefits. In the following pages, I review some of the principal sources in order to better understand: What is collaboration?

How does it differ from What role play in affirming other models of cooperation? What are the prerequisites and dynamics of effective collaboration? What makes an effective collaborative leader? What are some of the chief dangers and obstacles to successful collaboration? And how do we build more collaborative communities? As its Latin roots com and laborare suggest, collaboration reduced to its simplest definition means to work together.

The search for a more comprehensive definition leads to a myriad of possibilities each having something to offer and none being entirely satisfactory on its own. These range from the academic (a process of inditex zara joint decision making among key stakeholders of in the uk a problem domain about the future of zara that domain) to the esoteric (an interactive process having a shared transmutational purpose). One of the more durable and widely-cited definitions comes from Barbara Gray's 1989 book, Collaborating: Finding Common Ground for Multiparty Problems . Gray describes collaboration as a process through which parties who see different aspects of a problem can constructively explore their differences and search for solutions that go beyond their own limited vision of what is possible. In Collaborative Leadership , David Chrislip and Carl Larson define the process as a mutually beneficial relationship between two or more parties who work toward common goals by sharing responsibility, authority, and accountability for achieving results. Collaboration appeals to people from across the political spectrum, not because it offers everything to everyoneas some of the advocacy literature on the subject seems to suggestbut because it deals with a process, as distinct from a program, agenda, or outcome.

Collaboration requires that we look not only at the outcomes of our efforts, whatever they happen to be, but also at the process by which we arrive at those outcomes. Collaboration might be used to resolve a neighborhood or environmental dispute. It could be a springboard for What role do rituals play economic development in inditex zara, a community or region. Or it could be used to promote greater civic participation and tallest buildings, involvement. Generally speaking, the process works best when. The problems are ill-defined, or people disagree on inditex how the problems are defined Different groups or organizations with a vested interest depend on each other in some way. Those with a stake in a problem have yet to be identified or organized Some stakeholders have more power or resources than others Those with a vested interest have different levels of expertise and access to information about the issue. The problems are often characterized by The Fascinating System Essay, technical complexity and scientific uncertainty Differing perspectives on the problems lead to conflict or disagreement among the stakeholders Incremental or unilateral efforts to address with the issue have been ineffective Existing processes for addressing the problems have proved unsuccessful. Collaborative endeavors take many forms.

Some common varieties include: public-private partnerships (sometimes referred to inditex, as social partnerships)ad hoc alliances between otherwise independent organizations that span both the public and the private sectors; future commissions , also known as search conferences, in which citizens and community leaders analyze trends, develop alternative scenarios of the future, and establish recommendations and goals for barlays banking the community; interagency collaborations aimed at improving social services to children, families, and other members of a community; online networks designed to link various civic, educational, business, and governmental institutions within a community or region; school-community partnerships designed to foster greater collaboration between secondary schools and inditex zara, key community institutions; networks and why is, coalitions loosely structured alliances among groups, organizations, and citizens that share a commitment to inditex, a particular issue or place; and barlays internet, regional collaboratives where local governments work together to promote economic development and service delivery. COLLABORATION VS. OTHER MODELS OF COOPERATION. Collaborative partnerships can be broadly grouped under two headings: those aimed at resolving conflicts and those designed to inditex, develop and advance a shared vision for the future. In both cases, the process is aimed at carefully defining and, if need be, redefining the issues involved before moving on to solutions. Collaboration focuses on identifying a common purpose and working toward joint decisions. This distinguishes it from other forms of cooperation that may involve shared interests but are not based on a collectively-articulated goal or vision. We cannot even begin to What role community?, agree on how we should act until we have a common definition of the problem, David Mathews writes in Politics for People , one that reflects an zara, understanding of our own interests, the interests of others, and disorder, how the two diverge and converge. There are obvious similarities between cooperation and collaboration, but the former involves preestablished interests while the latter involves collectively-defined goals. In What It Takes , an oft-cited 1991 monograph on interagency collaboration, Atelia Melaville and Martin Blank point out that a collaborative strategy is inditex zara, called for . where the The Fascinating System Essay need and intent is to change fundamentally the inditex way services are designed and tallest buildings in the, delivered.

Cooperation, by contrast, merely involves coordinating existing services. Banding together to work for inditex common goals is not a new idea in politics. Barlays Banking! The literature is full of examples of how community organizationsreligious groups, trade unions, nonprofit groups, small businesses, civic alliancesform cooperative ventures, community interest groups, neighborhood task forces, and political coalitions. But these efforts are rarely collaborative in the strict sense. The goal is to join forces to advance a cause, which is different from collaborating to address a collective problem or develop a joint vision for the future. THE PREREQUISITES FOR COLLABORATION.

For collaboration to be effective, it must be democratic and inclusive. Hierarchies of any kind get in the way of sound decision-making, just as excluding some individuals or groups with a stake in inditex, the issue can derail the tallest uk process. It also requires the involvement of a wide range of community leaders, such as mayors, city council members, nonprofit directors and members of the local school board. In a series of case studies of successful collaboratives, David Chrislip and Carl Larson point out that each one involved many participants from several sectorsfor example, government, business, and community groupsas opposed to zara, few participants predominantly from one sector. The Fascinating Respiratory System! The level of participation required, however, is partly a function of what kind of collaboration is being sought. Clearly, some forms of inditex collaborationsuch as interagency partnershipsrequire only that the relevant stakeholders be included. Chrislip and Larson emphasize that the support of high-level, visible leaders brought credibility to the effort and was an essential aspect of the success of the endeavor. According to Barbara Gray, collaboration can only be meaningful if the parties involved are interdependent in some way. Collaboration establishes a give and take among the stakeholders that is role play community?, designed to produce solutions that none of zara them working independently could achieve, she says. In this way, they all depend on each other to produce mutually beneficial solutions. Some questions to ask before embarking on internet a collaborative venture include:

What are the structural relationships between the parties and the possible power issues inherent in inditex, the collaborative arrangement? Is there a clear understanding among all the The Fascinating Essay parties of the inditex respective goals of the other participants? What form of What do rituals in affirming Essay leadership is required to facilitate the process? Does the inditex project have some form of integrating structure, such as a cross-section of steering committees, to facilitate and What role Essay, coordinate decision-making and inditex, implementation? Will the project be more effective with a neutral, third-party mediator?

Should the sexual sadism media be involved? Does the inditex zara project have enough time, money, and staff support? The process of what happened family collaboration is rarely simple and straight-forward. Zara! It typically moves through several distinct phases, some of which can be time-consuming and fraught with challenges. Generally speaking, the process begins with an analysis of the situation and a diagnosis of the key issues involved. It moves on to a definition of the why is wrong fundamental mission or desired outcome. The participants then articulate a common vision and inditex zara, work out a plan and a timetable for meeting their goals. Why Is Abortion Wrong! It most cases, the process concludes with an assessment of the outcomes and a review of inditex zara lessons learned.

Barbara Gray describes it as a three-phase process. The first phase, which she calls the prenegotiation or problem-setting phase, is often the most difficult. Six issues need to be addressed at this stage: 1) the parties must arrive at a shared definition of the problem, including how it relates to tallest buildings in the uk, the interdependence of the inditex various stakeholders; 2) the parties must make a commitment to collaborate; 3) other stakeholders need to be identified whose involvement may be necessary for the success of the sexual sadism disorder endeavor; 4) the parties have to acknowledge and accept the legitimacy of the other participants; 5) the parties must decide what type of convener or leader can bring the parties together; and 6) the parties must determine what resources are needed for the collaboration to proceed. During the second phase, the inditex zara parties identify the interests that brought them to the table, determine how they differ from the interests of others, set directions and establish shared goals. Gray calls this the direction-setting phase. It is characterized by six essential steps: 1) establishing ground rules; 2) setting the agenda; 3) organizing subgroups, especially if the barlays internet number of issues to be discussed is large or the number of stakeholders exceeds a dozen or so people; 4) undertaking a joint information search to inditex, establish and consider the essential facts of the issue involved; 5) exploring the pros and cons of various alternatives; and sexual sadism disorder, 6) reaching agreement and settling for inditex a course of action.

The final step of the collaborative process is the implementation phase during which 1) participating groups or organizations deal with their constituencies; 2) parties garner the support of those who will be charged with implementing the agreement; 3) structures for implementation are established; and finally 4) the agreement is monitored and what happened with orange choppers, compliance is zara, ensured. Collaborative ventures obviously vary a great deal and not all of them can or want to follow this general framework. Much will depend on the nature of the endeavor, the number of people or parties involved, the time-frame, and the resources at hand. The growing interest in collaboration can be seen as part of a bumpy transition away from top-down authority structures toward a new way of coordinating activities and making decisions. At their best, collaborative leaders assume the role of discussion facilitator rather than decision-maker. Barlays Internet Banking! They put aside whatever authority, expertise, position, or influence they may have in the outside world in order to foster openness, dialogue, and deliberation within the group. The collaborative leader is one whose primary goal is to convene, energize, facilitate and inditex, sustain the process over time. This form of leadership has been variously defined as transformative, facilitative, or servant leadership. In his classic 1978 book Leadership , James MacGregor Burns described transforming leadership as a process in which one or more persons engage with each other in such a way that leaders and followers raise one another to tallest in the uk, higher levels of motivation and morality.

The key to this type of leadership, he said, is the discovery of shared purpose and the interplay between motives and values. James Svara, in his book Facilitative Leadership in Local Government , expanded on this notion, saying that collaborative leaders stress empathetic communication, think in 'win-win' terms rather than seeing their interests in conflict with those of others, and use synergism to make the whole greater than the sum of the parts. A number of theorists stress that one reason collaboration works as well as it does is that it empowers participants and creates a sense of ownership and buy-in within the group. When decisions are reached, they are the products group's own efforts. The process may be difficult and inditex zara, time-consuming, but it elicits more solid and enduring support than decisions made by a single person or a select few. Collaborative leaders understand this intuitively. They move the process along by sharing inspiring visions, focusing on banking results, strengthening relationships, being open and inclusive, bringing out the best in others, and celebrating achievement. Inditex Zara! Collaborative leadership is tallest uk, not a specific set of activities.

It means playing whatever role is necessary to bring about real change and lasting impact in the community. It means being a catalyst, a spark plug, and channeling people's energies toward a common goal. For all its benefits, collaboration is not always the best course of action. The process is zara, fraught with dangers and inherent limitations. It is notoriously time-consuming and is not suitable for problems that require quick and decisive action, for example. Power inequalities among the parties often thwart the System process. The norms of consensus and joint decision-making sometimes require that the common good take precedence over the interests of a few. Inditex! It can break down in groups that are too large. And the process is why is, meaningless when participants lack the power to implement final decisions. The literature is full of examples of inditex zara poorly executed collaborations that failed to yield substantive results, ran out of funding, failed to garner enough interest or support from the leadership of the community, or stalled because of irreconcilable differences between stakeholders.

As Barbara Gray points out, many well-intentioned efforts to involve the public in government decisions, for example, are exercises in frustration and often exacerbate rather than improve the situation because careful attention to the process of managing differences is neglected. Some of the circumstances under which it is best not to collaborate include: 1) when one party has unchallenged power to influence the final outcome; 2) when the conflict is Respiratory System, rooted in deep-seated ideological differences; 3) when power is unevenly distributed; 4) when constitutional issues are involved or legal precedents are sought; and when a legitimate convener cannot be found. But when groups are aware of the limitations of the process and inditex, are able to work around them, they can do great things. Consciously or not, many of us subscribe to outmoded theories of change handed down from traditional leadership theory. We believe that influence occurs as a direct result of what happened force exerted from one person to another. We engage in complex planning processes in the hope of producing predictable results. And we continually search for better methods of objectively perceiving and measuring the inditex world. This approach is reflected in tallest buildings, the predominant approach to inditex zara, change-making: organizing committees and what choppers, task forces, creating new programs, establishing stricter regulations or more oversight, and, perhaps especially, hiring or electing better leaders.

But the realities of public life today are dynamic and inditex zara, complex and no longer lend themselves to mechanistic solutions. They require rigorously multidimensional approaches that are participatory, iterative, flexible, and open-ended. In my research on collaboration, I have interviewed many practitioners who told me that they found their way to barlays banking, collaboration only inditex after years of frustration with conventional problem-solving approaches and a gnawing sense that there must be a better way. Internet Banking! They stressed that traditional mechanisms for bringing about change are often exasperating, time-consuming, and ineffective. In a time of inditex widespread frustration with politics-as-usual, collaboration represents a more promising way forward. What has moved so many people to take on What role in affirming community? Essay this hard work of zara collaboration, write Daniel Kemmis and Matthew McKinney in Collaboration and the Ecology of Democracy , has been the widespread perception that, in all too many cases, the existing governing framework was proving itself incapable of getting the job done. To put it bluntly, the problems that people expected the government to solve were not getting solved. Building collaborative communities means finding new and better ways to work together. We need to create spaces where people can find each other, share ideas, and discover common ground. We need settings where people can receive support and be acknowledged as public actors.

And we need contexts in which people can begin to imagine and act from a new sense of uk possibility. This essay appears in On Collaboration , a collection edited by Marie Bak Mortensen and Judith Nesbitt. On Collaboration brings together several general essays on collaboration along with case studies of numerous collaborative art initiatives carried out in the U.K. under the auspices of Tate. (London: Tate, December 2012). Copyright 2017 by Scott London. All rights reserved.

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essay mba career Almost all top business schools require applicants to write a Personal statement or Goals essay in zara, which they discuss their goals and ambitions as they pertain to the MBA degree, and often to the target schools particular program. What should I write in a Statement of Purpose or 'Goals' essay? A statement of purpose or a Goals essay requires you to make a logical connection between your past, present, and future. This means you need to tell a story that connects your past ( past work-experience), present (your need of an MBA from abortion wrong your target school to zara, achieve your goals, and your future (goals and objectives).

The Schools want to see that you have a clear plan/ vision for future and you have the sadism, ability to inditex zara, convince them of the same by telling your story that is not only buildings in the clear and inditex zara, compelling, but also reveals your personal and professional attributes. Goals essay needs to be approached in different ways as per the specifications of sexual sadism disorder, essay prompt and inditex, the word limit specified by various schools. However, a typical goals essay should have the following structure: Structure of a typical Goals Essay: Past: (about 30-35% of essay) Begin your essay with a story/ event/ life experience that reflects passion for your chosen field e.g. marketing or finance or any other field.Make sure your opening statement is compelling enough to hook the role do rituals, Ad Com and make them continue reading your essay .There are several ways of zara, making an engaging beginning: a quote, an interesting description, an wrong anecdote, a question, a startling statement, or statistics. Zara! You may choose any method that works for you to draw the reader into your story. The following is an example of an The Fascinating engaging beginning that hooks the reader with a real- life example/anecdote: My love and inditex zara, passion for finance dates back the time when I was only 13 years old and why is wrong, used to ponder at the stock prices in the newspaper for countless hours. Later, at inditex zara, 15, and only one week into my first job at a bank, I purchased my first stock. Today, at 25, banking and finance still enthuse me. Barlays Internet Banking! Every morning, I go to work motivated and with a smile, enjoying my commute time reading finance books.

After drawing the reader's attention by your story of passion, continue with your story and provide details about how you have pursued your interest/passion and progressed along your career path these 3-4 years (or whatever your work experience is). Be specific in explaining how you have risen in positions/ responsibilities and salary in order to illustrate that your abilities are recognized and rewarded by your company. Future: (about 25-30 % of essay) Now explain how your past experience have shaped your future goals and objectives and what are your plans for the future. Zara! Be clear and decisive for short term goals (even if you are not 100% sure. Show that you have put some thought into it. For example, you should precisely state if you are a career enhancer and abortion, your short term goal is to rise to the next level in your current company, or if you are career changer and your objective is to learn new skills through MBA so you can change your career path. After you have specified your short term goals, go ahead and inditex zara, discuss your long term goals. It is barlays internet banking, ok to be more broad and idealistic for long term goals, but explain steps (A to B to C) to make sure there is a logical connection between short term and long term goals. For example, you should not say that your long term goal is to be CEO of xyz company if your past experience, current skills set and your short term goals do not at inditex zara, all seem to be leading to that direction. Present: (about 25-30 % of essay) After having discussed your future goals, explain how an MBA fits in the puzzle of the grand scheme of your career path.

In other words, elaborate why you believe that an MBA is the why is, next logical step in inditex zara, your career path. Do Rituals Community? Essay! Be specific when explaining how certain specific skills acquired during MBA will bring you closer to the fulfillment of your goals. For example, if your goal is to be an entrepreneur, explicitly state how an MBA will teach you the required skills of handling competitive threats, allocating resources, and making decisions. Also, explain why now is the inditex, right time for you to do an MBA for further advancement in your career. Most schools (UCLA, kenan Flagler, LBS ) specifically want to abortion, know why MBA now? However, even if they don't ask Why MBA, I would recommend that you should answer this question as this would help demonstrate the clarity of inditex zara, your vision. Why Target School? Once you have satisfactorily answered Why MBA? and abortion wrong, Why MBA now? your next step is to explain 'why target school'. Discuss how you will use their resources to zara, achieve your goals?

Remember, schools always want to hear compelling reasons for what happened with county choppers family, each candidates need for their particular MBA program. (10-15 % of essay) When the School asks 'Why We'? When the schools specifically ask you why you are interested in zara, them (UCLA, Tuck, Columbia, Chicago etc.), you need to disorder, provide a detailed explanation (depending on the word-limits specified by them) how their specific resources will help you meet your objective. You may refer to a conversation with a student or a professor which will not only make your essay an interesting and engaging read, but will also validate your genuine enthusiasm for zara, this schools. In short, make a convincing argument of how their offerings (classes, faculty, clubs, alumni, other programs etc.) are closely related to your goals. In Affirming! Go online, visit campus, classes, talk to professors, students, and alumni, and discuss your experiences of visiting classes, programs, professors, if you can. When the School doesn't ask 'Why We'? Even when the school asks a generic question Why do you need an inditex MBA to reach your goals? it is in fact, also asking you Why do you need an MBA from uk our school? and How will you use our resources to achieve your goals? Therefore, it still makes sense to make a brief statement about your interest and need of their specific offerings. Contribution to the target School: Often a school will ask applicants what they will bring to their MBA program if they are selected as students (Ross, Cornell Fuqua, Kenan Flagler etc.).

In this case, you can refer to such possible contributions as participation or leadership in particular club, in zara, classroom discussions or team work. You can also state that your international background would bring global perspective to what happened county choppers family, teams or course work, or your personal characteristics like humor or enthusiasm will facilitate bonding between class mates or team groups. Even if the zara, school doesnt ask you to discuss your contribution, you can still mention (if space permits) what you will bring to the school and tallest in the, why you are a good match for zara, their program? Summing up, think of answering Goals question by making logical connections between your past (past experience), and future (future goals and objectives) present (need of an MBA). Explain how your personal and professional experiences have shaped your goals, how an MBA from your target school would help you achieve your goals, and how you will add significant value to the school with your skills and experience. Furthermore, while telling your story, you need to make sure it reveals your personal characteristics e.g. leadership, persistence, intelligence, creativity, diligence, integrity ability to work in teams etc. Lastly, and most importantly, since schools word their 'Goals' question differently based on what they are looking for in their potential students, you need to make sure to banking, structure and modify details of your story as per the essay prompt. Almost all top business schools require applicants to write a Personal statement or Goals essay in zara, which they discuss their goals and ambitions as they pertain to happened orange county choppers, the MBA degree, and inditex, often to the target schools particular program. What should I write in a Statement of Purpose or 'Goals' essay? A statement of purpose or a Goals essay requires you to make a logical connection between your past, present, and future. This means you need to tell a story that connects your past ( past work-experience), present (your need of an What role community? Essay MBA from inditex zara your target school to achieve your goals, and your future (goals and objectives).

The Schools want to see that you have a clear plan/ vision for abortion wrong, future and inditex, you have the ability to convince them of the same by telling your story that is abortion wrong, not only inditex zara clear and compelling, but also reveals your personal and barlays banking, professional attributes. Goals essay needs to be approached in different ways as per the specifications of essay prompt and the word limit specified by various schools. However, a typical goals essay should have the following structure: Structure of a typical Goals Essay: Past: (about 30-35% of essay) Begin your essay with a story/ event/ life experience that reflects passion for your chosen field e.g. marketing or finance or any other field.Make sure your opening statement is compelling enough to hook the inditex zara, Ad Com and make them continue reading your essay .There are several ways of making an why is abortion engaging beginning: a quote, an interesting description, an inditex anecdote, a question, a startling statement, or statistics. You may choose any method that works for tallest in the uk, you to draw the reader into your story. The following is an example of an engaging beginning that hooks the reader with a real- life example/anecdote:

My love and passion for finance dates back the time when I was only 13 years old and used to inditex zara, ponder at the stock prices in the newspaper for countless hours. Later, at 15, and only one week into happened choppers family, my first job at a bank, I purchased my first stock. Zara! Today, at 25, banking and finance still enthuse me. Every morning, I go to work motivated and with a smile, enjoying my commute time reading finance books. After drawing the reader's attention by your story of disorder, passion, continue with your story and inditex, provide details about how you have pursued your interest/passion and What in affirming, progressed along your career path these 3-4 years (or whatever your work experience is). Be specific in explaining how you have risen in positions/ responsibilities and salary in order to illustrate that your abilities are recognized and inditex zara, rewarded by your company. Future: (about 25-30 % of essay) Now explain how your past experience have shaped your future goals and barlays, objectives and what are your plans for inditex zara, the future. Be clear and decisive for buildings uk, short term goals (even if you are not 100% sure. Show that you have put some thought into it. For example, you should precisely state if you are a career enhancer and your short term goal is to rise to the next level in your current company, or if you are career changer and your objective is to learn new skills through MBA so you can change your career path.

After you have specified your short term goals, go ahead and discuss your long term goals. It is ok to be more broad and idealistic for long term goals, but explain steps (A to B to C) to make sure there is a logical connection between short term and zara, long term goals. For example, you should not say that your long term goal is to be CEO of xyz company if your past experience, current skills set and play community? Essay, your short term goals do not at all seem to zara, be leading to that direction. Present: (about 25-30 % of What role do rituals, essay) After having discussed your future goals, explain how an inditex MBA fits in uk, the puzzle of the grand scheme of your career path. Zara! In other words, elaborate why you believe that an MBA is the next logical step in your career path. What Orange Choppers Family! Be specific when explaining how certain specific skills acquired during MBA will bring you closer to inditex zara, the fulfillment of your goals. For example, if your goal is to be an entrepreneur, explicitly state how an MBA will teach you the required skills of handling competitive threats, allocating resources, and making decisions. Also, explain why now is the Respiratory System, right time for you to do an MBA for further advancement in inditex, your career. Most schools (UCLA, kenan Flagler, LBS ) specifically want to know why MBA now? However, even if they don't ask Why MBA, I would recommend that you should answer this question as this would help demonstrate the clarity of your vision.

Why Target School? Once you have satisfactorily answered Why MBA? and sadism, Why MBA now? your next step is to explain 'why target school'. Discuss how you will use their resources to achieve your goals? Remember, schools always want to zara, hear compelling reasons for each candidates need for their particular MBA program. (10-15 % of What play in affirming community?, essay) When the zara, School asks 'Why We'? When the schools specifically ask you why you are interested in them (UCLA, Tuck, Columbia, Chicago etc.), you need to provide a detailed explanation (depending on tallest in the uk, the word-limits specified by inditex zara, them) how their specific resources will help you meet your objective. Sadism Disorder! You may refer to a conversation with a student or a professor which will not only make your essay an interesting and zara, engaging read, but will also validate your genuine enthusiasm for sexual, this schools. Inditex Zara! In short, make a convincing argument of Respiratory, how their offerings (classes, faculty, clubs, alumni, other programs etc.) are closely related to your goals. Go online, visit campus, classes, talk to professors, students, and alumni, and discuss your experiences of visiting classes, programs, professors, if you can.

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